categories

Specific quesitons about this extraordinary film are addressed in this five page paper. Six sources.

A 5 page paper which discusses the film and the book Where the Heart Is. No additional sources cited.

A 12 page research paper that reports on these films: D.W. Griffith's 1924 film America and Roland Emmerich's 2000 film The Patriot. The writer summarizes both films, compares them, discusses their historical accuracy and then offers personal opinion as to whether or not the filmmakers made the right creative decisions and whether the films should be used by educators. Bibliography lists 5 sources.

Six pages and 5 sources used. This paper provides an overview of Roman Polanski's 1974 film Chinatown. This paper considers the nature of the themes in this film and their impact in terms of film-making as a whole. This paper relates the fact that this film was unique and introduced themes that were never covered in films before. This paper also relates the major views of this film since it was first created.

A 3 page paper which reflects on the film Smiley Face. Bibliography lists 2 sources.

A 5 page paper which examines and reviews the film Amistad. No additional sources cited.

This 5 page paper discusses the viewpoints of French film critic and auteur Andre Bazin, and Russian director Sergei Eisenstein, on the use of montage in film. Eisenstein argued that the overall theme or message of a film should be presented through the montage technique: brief segments within the film that serve as counterpoints to each other. Bazin however thought that this technique was too artificial and argued for realism in film. There are 5 sources listed in the bibliography.

A 3 page paper on film analysis. Bibliography lists 6 sources.

A 7 page paper which analyzes the film Crash. Bibliography lists 5 sources.

In five pages this paper discusses the 1992 film adaptation of David Mamet's play in terms of plot and performance.

In five pages this paper presents a film review of The Green Mile based upon the novel by Stephen King.

Few movies have sparked more controversy than JFK, Oliver Stone's 1991 descent into conspiracy theory. This paper offers a critical overview of the film, in terms of its historical accuracy and whether such a film can actually make history while reporting it. Also discusses the responsibility of a filmmaker when dealing with historical truth. This paper has twenty-three pages and fifteen sources are listed in the bibliography.

The 2001 film Baby Boy by John Singleton and Desmond Nakano's 1995 White Man's Burden both depict the plight of lower-class blacks trying to survive and find a job in spite of the racism of society. This paper examines the two films and what they show about race relations, black anger and institutional racism.This paper has five pages and five sources are listed in the bibliography.

In a paper of five pages, the writer looks at how communication theories emerge in film. Specific examples are cited in four films: Haggis' "Crash", Glenn's "The Lazarus Project", McCarthy's "The Visitor", and Burton's "Big Fish". Paper uses four sources.

This 13 page paper argues that race identity can be found in Black films and that this identity is not a positive reflection on both Black men or women. This paper argues that women are treated as commodities in hip hop music videos and in some Black films. However, it also points out how this is changing in Black film. Bibliography lists 9 sources.